|
|
|
|
- History - Awards - School & Boutique - Dance Troupe
What was it about those days in the 50’s, 60’s, and 70’s that made the Greek clubs and Middle Eastern entertainment so popular? Was it the dancers, the musicians, the club owners, the audience? Yes, it was all of those things. There was magic in the air. The stars, the customers, the owners call played a unique role, participating in their own way, putting on their own show. Everyone checked their troubles at the door, and entered the club for an evening of enjoyment. There was camaraderie among the performers, owners, and their audiences. Waiters would perform folk dances between acts, customers would dance to their native songs, and everyone had a wonderful time. Many a Greek seaman, glass on his head, would do what Americans call the Greek Sailor’s dance, the Hasapiko Argo, or the Butcher's dance. The professional dancers would mingle with the customers, initiating a line dance or perhaps encouraging the very popular chiftetelle duet or solo. Smoke-filled rooms would reverberate with the snapping of fingers, clapping of hands and spoon-playing, and with the shouts of Yossou or Ya Habibi. Money would be thrown on the stage to compliment the entertainer or request a favorite piece of music. All were drawn into the revelry. That is part of the reason the clubs then were so popular. The gaiety, warmth, and expression of the people made this dance different and mysterious. There was an aura about it.
dance in the united states | back to top | performances
|
|||||||||
